You have said that the series is a “Mormon woman’s Midsummer Night’s Dream.” How so?
I mean that very literally because its inspiration came in the form of a dream that Stephenie Meyer, a cradle Latter Day Saint and BYU graduate, had on June 2, 2003. That dream—comprised of Edward and Bella’s time in a sunlit mountain meadow, which eventually became chapter 13 of the first book—is a snapshot of the allegorical meaning of the series: a Harlequin version of Mormon ideas about God and man. Harold Bloom of Yale University once wrote that Joseph Smith, Jr., the LDS prophet and author of The Book of Mormon, is America’s only religious genius. I agree.
Malcolm Muggeridge said that sex or eroticism is “the mysticism of the materialist,” and Mormonism is the spirituality of our times in this regard. It is no accident that Meyer wrote a book suffused with religious content within the romance genre (meaning a love story in this context) that includes a heroine’s apotheosis after marrying the image of Joseph Smith, Jr., and being transformed by childbirth into a super-powered near-immortal. Bella’s story is actually a mythic version of Mormon soteriology.
It is likewise no accident that Americans resonate with this message. Sex, after all, is by and large our religious faith and sole extra-personal experience—after reading and moviegoing, of course! In several ways, Mormonism, though a 19th-century anachronism, is America’s de facto religion in that it’s preoccupied with proper sexual relations. In this sense, Meyer has written the Aeneid for our naturalist, desire-driven culture.
Also, Doug Wilson is in the process of reading through the first novel of the Twilight series: You may read his amusing and insightful take on the book at Credenda.org.